Since 1994, Jeffrey A. Dering has been part of a team of experts involved with Christ Among The Doctors, a Painting Study (c.1472-95 and/or c.1500-05), by Leonardo da Vinci, providing ongoing expertise in management of the historic, museum-quality fine art asset, including the authentication process, provenance, conservation, historical research, scientific forensic analysis, security, transport, insurance, publication, exhibition, marketplace analysis, fair market valuation and marketing.
This compositional design depicts the New Testament event of the adolescent Jesus (age 12-13) meeting with the Teachers, or Rabbis (the Doctors). The painting sketch features a central Christ figure surrounded by four of the Doctors.
Experts have agreed that Leonardo painted the youthful adolescent central figure of Christ in the original painting application, then later (precisely “when” is a debated by the experts) in a compositional design experiment in his painting sketch (study), he added the four “Doctors” (the “Rabbis”) later, but, in a far less detailed manner. It is also possible that Leonardo’s students assisted him in rendering the four doctors.
Most experts agree that Leonardo was responsible for painting the slightly more mature variation of Jesus at an even later date, using an “over glazing” technique, which disguises the delicate features of the original Christ figure.
The historical research indicates that Christ Among The Doctors, a Painting Study (c.1472-95 and/or c.1500-05) by Leonardo da Vinci, not only pre-dates the copy variations of Christ Among the Doctors by Giovanni Battista Cima da Conegliano (c.1504-05), Albrecht Durer (1506), and Bernardino Luini (c.1515-30), but, scientific forensic analysis by Dr. Walter C. McCrone, Ph.D., McCrone Research Institute indicates that the dating time frames and date averages, as well as, evidence of Walnut Oil Binder support the conclusion that Christ Among The Doctors, a Painting Study was painted by Leonardo, and, therefore, by virtue of the scientifically established chronology, it predates the subsequent copy variations by Cima, Durer and Luini.
In addition, as a result of the aforementioned “design family relationship”, the original design composition for Christ Among The Doctors, a Painting Study by Leonardo serves as the known design variation “father” of this “design composition” and pre-dates the other “design variations”, which places it execution prior to Cima’s variation, or perhaps even earlier in the case of the central Christ figure.
As is often the case, time and continued research will enhance and modify the knowledge, history, provenance and authentication of Christ Among The Doctors, a Painting Study by Leonardo da Vinci — and its relationship with its family of design composition variations by Cima, Durer and Luini.
Holding an ultraviolet light over this painting, amazingly, another image of Jesus emerges from beneath the glazed surface of the central Christ figure. It is a youthful, beautiful, adolescent Christ figure whose facial features and hands are more delicate and refined. Details such as the “cupid’s bow mouth”, the “eyelids”, the “ringlets of hair”, and “elongated fingers” are unmistakably typical of Leonardo da Vinci’s style before he arrived in Milan.
In June of 1996, an unprecedented event took place, when London’s National Gallery of Art hung Christ Among The Doctors, a Painting Study (c.1472-95 and/or c.1500-05) by Leonardo da Vinci side-by-side with the National Gallery’s Christ Among the Doctors (c.1515-30) by Bernardino Luini. Hosted by Dr. Nicolas Penny, then Curator of Renaissance Paintings (now, Director) of London’s National Gallery of Art, Dering and a team of international experts flew into London, to review the scientific forensic analysis of the Leonardo and to view a side-by-side comparison between Leonardo’s study and Luini’s finished painting. Participants in the June 1996 side-by-side viewing of the two Christ Among the Doctors paintings at London’s National Gallery, included:
Dering authored “Christ Among the Doctors” from Leonardo to Luini: An Evolution In Design Composition (© 2005 All Rights Reserved), a comparative design analysis of, and chronological design evolution of, the original design composition of the painting study entitled Christ Among the Doctors attributed to Leonardo da Vinci (c.1472-95 and/or c.1500-05), and its influence upon subsequent variations adapted by Giovanni Battista Cima da Conegliano (c.1504-05), Albrecht Durer (1506), and Bernardino Luini (c.1515-30).